Preservation Magazine, Fall 2025

Places Restored, Threatened, Saved, and Lost in Preservation Magazine's Fall 2025 Issue

In each Transitions section of Preservation magazine, we highlight places of local and national importance that have recently been restored, are currently threatened, have been saved from demolition or neglect, or have been lost. Here are five from Fall 2025.

The brick exterior of the Cooper Mill, a two-story building, with a darkened sky behind it.

photo by: David Coleman

Restored: Alexandria Flour Company Cooper Shop

When builder and developer Murray Bonitt saw the structural report for a historic waterfront warehouse in Alexandria, Virginia, he knew saving it wouldn’t be easy. The building had severe water damage and was too unstable to be restored in place. In 1856, the Alexandria Flour Company had commissioned a cooper shop on the site to produce flour storage barrels. An 1896 cyclone is thought to have destroyed that structure, but it was rebuilt soon after. The building served different uses through the decades, including as a machine shop and later as an office for Southern Ironworks in the mid-1900s.

After purchasing the property in 2019, Bonitt made his case to the city, which approved his plan to deconstruct the building and then rebuild it using as many of the original materials as possible. Members of Bonitt’s team carefully dismantled the structure and stored the pieces nearby. They poured a concrete cap atop the old brick foundation, allowing the new steel frame to sit on the original footprint. Designed by Winstanley Architects & Planners, the rebuilt project incorporates the original brick on the interior and exterior walls. The first-floor ceiling is clad in reclaimed wood flooring from the upper level, and the building’s antique trusses were reused on the second-floor ceiling. Now called Cooper Mill, the 6,400-square-foot tavern and event space was unveiled in December 2024. “It was a huge undertaking, but it came out so well,” says Bonitt. “It was definitely a legacy project.”

Saved: Price Tower

Frank Lloyd Wright designed just a few skyscrapers in his lifetime, and only one that ever left the blueprint stage. Completed in 1956 for the H.C. Price Company, Price Tower in Bartlesville, Oklahoma, is “the tree that escaped the crowded forest,” as Wright once called it—a Modernist masterpiece built not for a big city, but a prairie town. The concrete skyscraper is punctuated by patinaed copper panels that cantilever from its 19 floors. Since 2011, the Frank Lloyd Wright Building Conservancy has held an easement that safeguards Price Tower and certain objects inside it. Green Copper Holdings, which purchased the building in 2023, sold some protected items without permission last year.

Since October 2024, the conservancy and Green Copper Holdings have been engaged in a lawsuit over the easement that is ongoing as of press time. In May 2025, developer McFarlin Building LLC purchased the 221-foot-tall structure, with plans to restore and transform it into a hotel, museum, and residences. “We are reassured by their respect for Price Tower’s historic significance and their commitment to honoring our preservation easement,” says the conservancy’s Eric Rogers. Macy Snyder-Amatucci of McFarlin Building says the company, which previously restored the Mayo Hotel and other historic buildings in Tulsa, Oklahoma, will “pour the same heart, passion, and commitment to detail into the restoration of Price Tower as Frank Lloyd Wright did in all of his designs.”

The Price Tower, designed by Frank Lloyd Wright, is a concrete skyscraper punctuated by patinaed copper panels that cantilever from its 19 floors. It stands tall among nearby buildings.

photo by: Andrew Pielage

The recently restored Soldiers’ and Sailors’ Memorial Arch is 70 feet tall. It's made of granite and is adorned with bronze statues. Cars are driving by in the foreground.

photo by: Paul Martinka

Restored: Soldiers’ and Sailors’ Memorial Arch

There are more than a dozen ways to enter Prospect Park in Brooklyn, New York, but none are quite as grand as the Soldiers’ and Sailors’ Memorial Arch. Architect John H. Duncan designed the 1892 archway, which sits at the park’s northernmost tip within Grand Army Plaza. Now, following a multiyear effort, the Prospect Park Alliance has restored the 70-foot-tall arch. In 2018, the nonprofit group secured $8.9 million in mayoral funding and began planning for the massive undertaking, which began in 2023. “Water leakage through the roof membrane [was] really deteriorating the interior,” says David Yum, the alliance’s director of architecture and preservation.

The team replaced the roof and drainage system, cleaned the structure’s granite facade, and restored some of its bronze-and-cast-iron spiral staircases. The arch’s three bronze statues—crafted by Beaux-Arts sculptor Frederick William MacMonnies to commemorate Brooklyn soldiers and sailors who served in the Civil War and previous wars—were restored by the NYC Parks Citywide Monuments Conservation Program. The treasured entryway reopened to the public in June 2025. “When we had to close the site for restoration, it underscored how many people actually pass under the arch as a gateway to Prospect Park,” says Yum. “It was amazing to see how people had this look of excitement that [this] entrance was back.”

The Metro Theater is surrounded by other buildings in Manhattan. It has an Art Deco-style facade. Graffiti can be seen on the exterior.

photo by: Alison Max Rothschild

Saved: Metro Theater

Twenty years after the Metro Theater was gutted and padlocked, the New York City cinema has a new steward. The nonprofit Upper West Side Cinema Center purchased the long-disused building earlier this year, with plans to restore the original exterior and transform the space into a five-screen art house theater. Originally named the Midtown Theater when it opened in 1933, the cinema was designed by New York architects Boak & Paris with Art Deco elements. After a stint as an adult film house in the 1970s, the Midtown reopened as a repertory theater in 1982 and was renamed the Metro Theater.

The property changed hands a couple more times over the years, but in the mid-2000s its historic interior was ripped out. When film producer Ira Deutchman heard the theater was potentially on the market in 2024, he, film programmer Adeline Monzier, and communications expert Beth Krieger founded the nonprofit and started raising money to purchase the site. The Upper West Side Cinema Center closed the $6.9 million deal earlier this year with the help of state grant funding. The organization has brought Voith & Mactavish Architects, a preservation-minded firm, on board to design the facade restoration and interior rehabilitation. “The terra-cotta facade is just gorgeous, even in its current shape, which is showing a lot of wear and tear,” says Deutchman. “We’re going to do everything we can to make [the exterior] look as original as possible.”

The Texas Pavilion is seen here before it was demolished. It is a Brutalist-style structure with a roof that juts out at an angle.

photo by: Vincent Michael

Lost: Texas Pavilion

The 1968 World’s Fair in San Antonio brought a renewed wave of midcentury design to the city as it prepared to host more than six million visitors from across the globe. One of the buildings erected for the fair was the 180,000-square-foot Texas Pavilion, designed by architecture firm Caudill Rowlett Scott to showcase Texas history during the six-month event. In 1973, the University of Texas at San Antonio (UTSA) took over the Brutalist building’s management.

There the school operated the Institute of Texan Cultures—a museum that celebrates the diversity of Texas residents—for more than 50 years. In mid-2024, UTSA announced that it would relocate the museum to a temporary site, with plans to demolish the Texas Pavilion, citing a desire to redevelop the land occupied by the structure. Preservation Texas added the Texas Pavilion to its Most Endangered Places list in 2024, and the Conservation Society of San Antonio filed for a legal injunction in early 2025, arguing that the demolition plans violated both the National Historic Preservation Act and the Texas Antiquities Code. Despite these efforts, demolition of the National Register–listed building began in April, before the claims could be heard in court. “From the community’s perspective, there’s a real sense of a loss,” says Conservation Society President Lewis Vetter. “They were so attached to that structure. It was part of their lives.”

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Preservation magazine Assistant Editor Malea Martin.

Malea Martin is the assistant editor at Preservation magazine. Outside of work, you can find her scouring antique stores for mid-century furniture and vintage sewing patterns, or exploring new trail runs with her dog. Malea is based on the Central Coast of California.

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