• Historic Nashville, Inc. Places Five Music Row Properties on its 2018 “Nashville 9” Most Endangered List

    October 25, 2018

    Today, Historic Nashville, Inc.—the National Trust’s primary partner in our National Treasure campaign to save Music Row—announced the inclusion of five Music Row properties to its 2018 “Nashville 9” most endangered list.

    The five buildings located on Music Row’s famed 16th Avenue reflect the unique character of Music Row and encompass its history and present-day role as the center of Nashville’s music industry. All are targeted for demolition to make way for a nondescript office building.

    The Nashville 9 announcement was made by Emmy Award-winning songwriter, publisher, and producer and Historic Nashville Vice President Trey Bruce. The event was held a Bobby’s Idle Hour, the last tavern on Music Row and one of the buildings on the list.

    Bruce, whose family owned one of the threatened properties in the 1970s and ‘80s, was instrumental in saving the iconic RCA Studio A in 2014. “The properties placed on the Nashville Nine list are buildings and places that appear vulnerable in Nashville’s climate of development. This is a way for us to make city officials and citizens aware that these places exist and that we’re watching out for them,” said Bruce.

    National Trust senior field officer Carolyn Brackett emphasized the imminent threat to Music Row: “We can’t just sit back while Music Row’s unique history and present-day culture are destroyed. There are practical solutions to balance development with the preservation of Music Row’s historic fabric—and retain the music businesses that fill them. We urge Mayor Briley and Metro Nashville leaders to adopt them, before it’s too late.”

    To further communicate the urgency of acting to save Music Row, the National Trust and Historic Nashville, Inc., supporters are invited to sign a petition which outlines requested actions by Metro Nashville government: savingplaces.org/savemusicrow.

    Threatened Music Row Properties

    1022 16th Avenue South is the current home of So Nashville. The locally-owned clothing company opened a retail store in June 2018 and sells Nashville-themed merchandise and regularly hosts performances by up-and-coming songwriters and artists. The building was originally a home, constructed around 1927. In 1978, hit songwriter, singer and actor William “Ed” Bruce (“Mamas Don’t Let Your Babies Grow Up to Be Cowboys,” “You’re the Biggest Break this Old Heart Ever Had,” purchased the building. In the late 1970s through the 1980s, Ed and Patsy Bruce operated the Ed Bruce Talent Agency and leased space to music businesses including Sugar Plum Music, Gingham Music, Calico-Magnolia Music, Fernvale Music, Drum Drop Music, and Events Unlimited Entertainment. The building is eligible for listing on the National Register of Historic Places.

    1024 16th Avenue South is currently occupied by The Classic Ax, a guitar and instrument repair shop, Wolf Mastering, Big Spark Music Group, Krazy Pop Studio, and the Rhinestone Wedding Chapel. Constructed around 1927, the building served as a home until 1973 when it was purchased and renovated for use as Bob Schanz Photography Studio and Publicity Photo Service, specializing in country music celebrity photos. Through the 1970s and 80s, music businesses located here included Roger Talent Enterprises, Ed Penny Productions, Kansa Records Corporation, Common Ground Music, Great Leawood Music Enterprises, Inc., Fishswing Music Enterprises, Inc., E.J.R. Advertising, Holly Fish Music, Light Switch Music, Group Three, Player International Records, Tuna Dick Productions and Blue Ridge Publishers. The building is eligible for listing on the National Register of Historic Places.

    1026 16th Avenue South housed the Creative Soul Music Academy until recently. Constructed around 1927, the building was a home until 1974. In 1970s and 80s, the building became offices for accountants. In 1990, Bug Music purchased the building and converted it into a music publishing office.

    1028 16th Avenue South has been the home of Bobby’s Idle Hour Tavern since 2005. It is the last tavern on Music Row (Bobby’s was relocated from another building on 16th Avenue South that was demolished to make way for an apartment building. The interior of Bobby’s was relocated to the current site and recreated.) Constructed around 1908, this building was a home until the 1960s, when it was converted to become a neighborhood market.

    1030 16th Avenue South is the current home of Warner/Chappell Production Music, part of Warner Music Group, one of the world’s leading publishers with a catalog of more than one million copyrights. Constructed as a home around 1910, in 1969, it was converted for use as Countrypolitan Music. In 1976, the building housed M.C.S. Corporation, a recording and publishing business. The building has been rehabbed several times for music industry businesses including Lobo Music publishing company, Mike Robertson Management and Ten Thirty Music.

  • The Voices of Music Row

    July 20, 2018

    Nashville’s Music Row, where the sounds of America have been created for more than 60 years, is unlike any place in the world. Its cluster of more than 200 music-related businesses and the ecosystem they create is truly one-of-a-kind. But this unique community has taken a huge hit in recent years. Places where the music was made that gave Nashville its international reputation as Music City have been lost to the wrecking ball, including the first record company office on Music Row, the first recording studio ever built in Nashville, and the city’s first commercial radio station. Since the year 2000, a total of 56 historic buildings have been lost and five more are currently threated on 16th Avenue South, in the heart of Music Row, to make way for an office building.

    Yet despite these losses, National Trust research shows Music Row still exists as a tight-knit community. We have heard from a multitude of people in the music industry that Music Row’s built environment--the dense concentration of music-related businesses, many of which are located in 19th century houses and modest mid-century office buildings–is crucial to Music Row’s irreplaceable culture.

    Below are some of those voices from across the music industry, speaking to the magic of Music Row.

    Now add your voice! Share with us why Music Row matters to you. Send an email to estewart[at]savingplaces[dot]org and we’ll share your thoughts with Nashville’s elected officials. Together we can save #Music Row!

    Why is Music Row Important?

    Duane Allen – Oak Ridge Boys [excerpted from an interview with Sounds Like Nashville in the wake of their release of a new album, 17th Avenue Revival, recorded at RCA Studio A on Music Row]

    “…we moved into the old RCA Studio A, on the old 17th Avenue South, right in the center of Music City USA. We found another depth of our musical soul. The vibes of that historic studio, with the Oaks all gathered around an old RCA 44 microphone, singing together, brought back a magic that is sometimes lost with some of the new technology.

    The old historic studios just scream out to an artist to do it real, from your heart. There will always be a place for those historic places found on Music Row. There is a reason they are great. They were built to capture the magic of the artist's performance, as opposed to making it happen with technology.

    Recording the old-fashioned way can happen anywhere, just as recording with all of the bells and whistles of modern technology. However, there is an appreciation that goes with recording in a historic place, like the old RCA Studio A on Music Row, that encourages excellence, because so much excellence has preceded.”

    Robert Hicks -- New York Times best-selling author of “The Widow of the South”

    “Music Row remains the thriving, beating heart of the very music that makes us Music City. Take it away or even dismiss its importance and you've ripped out the very heart of Nashville.”

    Trey Bruce – vice president of Historic Nashville, Inc. and award-winning songwriter, musician and producer, owner of SongBird Tours [speaking about Bobby’s Idle Hour, the last watering hole on Music Row and now slated for demolition.]

    “SongBird stops in at Bobby’s Idle Hour every day and the tourists are blown away that a real honky tonk still exists. There are old guys, in their 70s… STILL playing in the everyday… middle of the afternoon. Old cats that missed their chance.

    There are still record release parties there and after all these years Belmont [University] kids have finally discovered that it’s cool to play Bobby’s Idle Hour. The place packs with students trying out their songs in a safe place where critics are discouraged. The last bar I know of where you can walk in at 2 p.m. and there will be a circle of old guys playing on a barstool or in the middle of the room… not even onstage.

    I remember seeing that stuff as a young kid.

    Bobby’s Idle Hour has to remain on the ground floor of what and whoever we are about to lose to.

    Much more than a building is lost when this icon falls. I realize that this is a staged replica of the original that stood five lots down because some developer already tore it down once 15+ years ago... but everything in it that could be was salvaged and repositioned was. The memory, history and spirit were moved five lots--that’s why it’s more popular than ever.

    Music Row is an accidental, by-chance location where The Nashville Sound and the music business grew from scratch. From this small neighborhood came one of the world’s largest musical footprints. We have to act now to save this place that is iconic and historically priceless.”

    Claire Ratliff — owner, Laughing Penguin Publicity

    “The destruction of historic structures is an unforgivable form of disrespect for our own history and culture. Historic architecture is a place to interact with our heritage. It gives the gift of experiencing and sharing the actual spaces where the musical soul of this city was crafted by some of the most legendary characters in American history.

    Music Row is a national treasure that has earned preservation of its tangible identity.”

    Mitchell Fox – Former manager of Led Zeppelin and the Kentucky Headhunters

    “Nashville is known as ‘Music City’ as the result of a long-standing, mutually supportive/beneficial relationship between the music professional and artist/performer… the overall diversification of the music industry has only enhanced our reputation as one of the, if not, the place to go in the world with more opportunity to become involved and succeed in the music industry. Music Row always meant young people, with a guitar on their back, walking from door to door looking for a chance to get a foot in the door. I feel that that still exists if you’re willing to do the walk about…”

    Chuck Whiting – owned a PR office on 17th Street

    “Back in the '90s, Music Row was a friendly community that celebrated Nashville's heritage with historic homes and quaint studios. It was one-of-a-kind... where creativity came to life and dreams came true. Today, due to a lack of government leadership, Music Row has become a corporate mix of offices and condos... losing much of its charm. So many of us are heartsick, hoping we can stop or slow down the destruction of historic buildings before it's too late.”

    Les Kerr – songwriter and 30+ year Nashville resident

    “Not only was music that had a worldwide impact on culture created in the buildings on Music Row, it is still being pulled from the minds, pens, voices, instruments and equipment of so many who continue to create within those walls. I’m happy that I was here when they all still stood and I hope as many as possible will be preserved.”

    Bob Doerschuk, -- former editor, Musician Magazine & CMA Close Up Magazine

    “I've come to understand that our character depends on balancing growth with history. Sacrifice one or the other and you have surrendered some of your soul. It is horrifying to know that developers came close to demolishing the Ryman to build something -- doesn't matter what it would have been -- that could in no way compensate for loss of the Mother Church. So it is with Music Row, whose history is obscured further with each new edifice that might as easily been built somewhere else… it grows more important each year, with each new tower soaring downtown, in Green Hills and elsewhere, that the Row be honored and kept alive.”

    Gary Morris – singer

    “When I first arrived in Nashville in 1980, Music Row was just simply Music Row. Warner Brothers was in a quaint little house on Grand. Ray Stevens was across the street and Electra was next door. Those shops and the many others on Music Row were where it began. Music Row’s legacy should be saved... not become an area where people view it as ‘once upon a time.’”

    Jim Hoobler – historian, Tennessee State Museum

    “The wanton destruction of seminal structures that housed some of the most significant moments in our musical past from the last forty years is tearing the heart out of our body of music. We must resist this move to destroy, and instead save our heritage.”

    Dan Brown -- Tennessee Historical Commission

    “…[Music Row] has created a vibrant living museum that for generations has been, and continues to be, an engine of economic development and tourism for the city and state. Music Row is a dynamic cultural resource that is the brand of Nashville and Tennessee and with its scope and size is even more important than the Ryman Auditorium. It is now threatened by rampant development and lack of foresight just as the Ryman was once was threatened, and its survival, protection, and preservation for our economy and the very soul of our city is now required.”

  • Show Your Support for the Past and Future of Music Row—Let’s Rally the Row!

    July 17, 2018

    Woman wearing Save Music Row t-shirt

    photo by: So Nashville

    On July 24, Historic Nashville Inc. and the National Trust for Historic Preservation are co-hosting a special event, Rally the Row, to raise awareness of the ongoing threats to Music Row’s survival and key actions Metro Nashville and the public can take to support it.

    Music Row is a unique area that has produced some of the world’s greatest music for over 60 years. Now the area at the heart of Nashville’s worldwide recognition as Music City is in danger of being lost forever. Since 2013, 43 buildings with music industry connections have been demolished in Music Row—most to make way for apartment buildings.Now an additional five buildings on 16th Avenue, including Bobby’s Idle Hour, are threatened by the wrecking ball. The buildings – 1022, 1024, 1026, 1028 and 1030 – have housed music industry businesses for decades.

    To gather our strength and show support for this one-of-a-kind music-making mecca, all are welcome to attend Rally the Row event on July 24 at Bobby’s Idle Hour, 1028 16th Ave. S., in the heart of Music Row. The event will feature live entertainment from some of Nashville’s best artists, musicians, and songwriters and information about ways the public can get involved in the effort to save Music Row.

    Can’t make it? There are things you can do today to keep the music on Music Row. Sign our petition to let Nashville’s elected officials know Music Row matters to you, and urge them to take immediate steps to protect it. Purchase your own Save Music Row T-shirt and take the new Music Row guided walking tour the next time you’re in Nashville. Proceeds from the T-shirt and walking tour tickets will support a new Music Row Preservation Fund.

    Together we can save #MusicRow!

    Event details:

    Rally the Row!
    July 24, 2018
    4:30 – 7:30 p.m.
    Bobby’s Idle Hour
    1028 16th Avenue South

  • Music Row Played a Key Role in Nobel Laureate Bob Dylan's Career

    October 14, 2016

    Homes and businesses along Music Row.

    photo by: Rick Smith

    Homes and businesses along Music Row.

    It's not every day that a historic neighborhood gets to claim a Nobel laureate, but this week, Nashville's Music Row got that honor when Bob Dylan was announced as the winner of the 2016 Nobel Prize for Literature. According to Carolyn Brackett, senior field officer here at the National Trust, Dylan's decision to record in Nashville was spurred in part by his friendship with Johnny Cash, whom he had met at the Newport Folk Festival in Rhode Island in 1964.

    Two years later, in 1966, Bob Dylan recorded Blonde on Blonde on Music Row, working with the Nashville Cats, who were top studio musicians. Following that success, Dylan made two additional albums on Music Row — John Wesley Harding in 1967 and the country music-style Nashville Skyline in 1968.

    Through the end of this year, the Country Music Hall of Fame is featuring an exhibit called "Dylan, Cash and the Nashville Cats: A New Music City," which looks at the relationship between the two musicians and how it changed the Nashville music scene.

    "Bob Dylan’s decision to record in Nashville in 1966 provided a major catalyst for bringing many others to what must have seemed like a very unlikely destination in the politically polarized sixties. In spite of its reputation as a conservative town, removed from the main trends in popular music, Nashville was home to musicians who had a huge influence on other music scenes of the era."

    Read more: Dylan, Cash, and the Nashville Cats: A New Music City

    And learn more about Bob Dylan's Nobel Prize vial the New York Times: Bob Dylan Wins Nobel Prize, Redefining Boundaries of Literature

  • "Nashville Nine" Features Music Row

    October 11, 2016

    RCA Studio B - Music Row, Nashville

    photo by: Rick Smith

    Music Row has been included on the "Nashville Nine" list of endangered sites for 2016.

    This weekend, Historic Nashville released its annual list of Music City's endangered sites, known as the Nashville Nine. The city's vast music history was front and center, with the entirety of Music Row (also one of our National Treasures) making the list for a second consecutive year. In addition, two specific buildings on Music Row – Sammy B’s/Figilo’s on the Row and the Florence Crittenton Home for Unwed Mothers/Warner Brothers Records – as well as a third studio – Starday-King Sound Studios – made the list.

    The focus on places related to music comes as Nashville is growing in ways that put the history of industry that made it famous at risk.

    "'It's just as much about preservation of the Nashville music community as it is about the properties,' said Sharon Corbitt-House, an artist manager whose clients include Ben Folds. She is the chairwoman for this year's Nashville Nine. 'Music is about stories and places and events. We're talking about preserving places that hold stories that we hope will be shared with the rest of the world through music.'" (The Tennesseean)

    Learn more about this year's Nashville Nine via Historic Nashville or one of these stories:

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