Drive southwest on the Durham Freeway today, and you will pass what used to be one of the busiest and most influential Black commercial districts in North Carolina and the South. The Hayti district, once known as Black Wall Street, was a self-sustaining district of Black-owned banks, funeral homes, churches, and family houses built in the decades after emancipation.

There is no marker to tell you any of this. And, if you blink, you’ll just miss the brick steeple of St. Joseph’s African Methodist Episcopal Church, which sits on one of the few hills in Durham, making it just visible from the freeway. This church, now the Hayti Heritage Center, is just one of a few original buildings that survived the federal project of urban renewal. Urban renewal led to the construction of the Durham Freeway, condemned Black Wall Street as blighted, resulted in the displacement of over 4,000 families and 500 Black-owned businesses, and cost about $300 million through the use of eminent domain by the government.

This summer, the National Trust for Historic Preservation's HOPE (Hands-On Preservation Experience) Crew’s sixth cohort of Digital Documentation Fellows (DDF) produced projects in response to what they learned about Hayti’s history, advancing traditional forms of storytelling and interpretation.

A Shifting Approach to Preservation

Historic preservation, as a discipline, has traditionally focused on saving, restoring, and preventing further decay of physical buildings and built fabric. Foundational preservation theorists tend to split between two camps. One believes that restoration is a creative act that gives its restorer a chance to complete a building as its original architect would have intended.

The other side of this argument believes that such restoration was just another name for vandalism, and that buildings should be allowed to decay and fall apart. Yet, Hayti—as is the case across hundreds of Black neighborhoods across the country such as Rondo in St. Paul, Overtown in Miami, the Fillmore in San Francisco—was systematically dismantled by federally funded highway construction and redevelopment. There is very little physical evidence of the structures that made up Black Wall Street, and this is intentional.

In effect, traditional approaches to preservation cannot automatically be applied here. Andrea Roberts, now the associate professor and director of the Center for Cultural Landscapes at the University of Virginia, has spent years documenting rural settlements founded by people who were formerly enslaved, many with little or no built fabric left today. She argues that communities like these need "placekeeping" rather than "placemaking." These communities, like Hayti, are not static landscapes but active communities. This shift is powerful because it allows us to recognize that old preservation paradigms do not always serve our current reality; to work in service of communities whose physical environment has been destroyed against their will.

In turn, one must ask: What do you preserve when there is little left? And, most importantly, how?

Projects of the Digital Documentation Fellows

Our fellows worked to address these questions. In continuation of a partnership begun in 2025, this cohort was generously funded by the Hayti Community Development Corporation and supported by North Carolina Central University professors Andre Vann, coordinator of the university archives and instructor of public history, and Scott Singeisen, associate professor of architecture at North Carolina Central University. Six students with backgrounds in architecture, construction, psychology, history, and graphic design worked in groups to reinterpret and challenge traditional approaches to preservation.

Zamir Vazquez and Sydney Walker researched the impact of urban renewal on Hayti as well as community response and resilience to its destruction through the history of two buildings: the Scarborough House and the former office of Dr. Leroy Swift. The Scarborough House is the district's only surviving example of Neoclassical Revival architecture, built in part from materials salvaged out of buildings that were already being torn down elsewhere in Hayti even before urban renewal. The former office of Dr. Leroy Swift, the first Black board-certified OB-GYN in the Southeast, is one of the district's earliest buildings in modern brick.

Both of these structures still stand today.

Their stabilization and repair were supported by the Hayti Community Development Corporation, which provided an initial investment of $10 million from the American Rescue Plan Act. Working from archival research, Vazquez produced full-color architectural renderings of both structures as they looked at the height of the community's prosperity, with Walker historically contextualizing these drawings as what ‘might have been’ had urban renewal not impacted Hayti.

Kevin Fiallos and Jose Coreas looked past physical architecture and toward the relationships that held Hayti together, tracing the history of The Carolina Times, the Black newspaper that documented Hayti's civic life, and of St. Joseph's, which hosted the mass meetings of the Durham Committee on the Affairs of Black People through the 1950s and 1960s. The paper's original offices burned down in a 1979 fire; the staff put out the next week's issue anyway and later rebuilt on Old Fayetteville Street, where the paper still stands today.

Drawing on a June tour of the Fayetteville Street corridor led by Professor Andre Vann, Imani Cosby and Asia Womack researched the Pearson family, prominent Hayti landowners, and turned that research into two different approaches to preservation. Cosby designed comic-style signage as a rethinking of historic marker design, betting that a generation raised on visual storytelling will stop for an eye-catching panel before it stops for a muted historic plaque.

Womack focused on the women of the Pearson family, using her research as the starting point for a podcast, Women of the Hayti. Reading the death announcement of Cynthia Anne Barbee Pearson—a landowner and washerwoman—Womack was struck to find her identified as "mother of" her sons for two full lines before her surviving daughter was mentioned at all, and not by name. Womack's podcast and Cosby's signage are both new forms of preservation working to hold what older ones have been unable to.

From Placemaking to Placekeeping

If preservation's purpose is, first and foremost, to keep a place and its history knowable to current and future generations, then these projects are a positive sign that preservation has shifted its focus exclusively from architecture. If we only protect what is still standing, we will always arrive too late, for example, for a woman whose name a newspaper never bothered to print.