Children arrive to KIPP Philadelphia for school. The building's brick and terra cotta facade is seen from an angle.

photo by: Jeffrey Totaro, 2023

Preservation Magazine, Spring 2025

Investing in the Future: NTCIC's Impact on Three Revitalized Historic Places

Twenty-five years ago, the National Trust Community Investment Corporation (NTCIC) formed. It soon made its first investment in the rehabilitation of a long-vacant historic property—the Dalton Building in Rock Hill, South Carolina. Today, NTCIC, a subsidiary of the National Trust, has supported nearly 250 development projects, from housing to health-care facilities to schools. It has invested more than $2.5 billion in tax credit equity over the years, according to David Clower, NTCIC’s president and CEO. “We’ve pushed that capital into mostly low-income, disinvested, highly distressed communities,” he says. “We’re revitalizing communities through the tools we have.”

Those tools include state and federal historic tax credits and New Markets tax credits. Additionally, NTCIC finances solar tax credit investments in large-scale solar panel installations through its own subsidiary, NT Solar. As the National Trust observes its 75th anniversary, the organization also celebrates a quarter-century of NTCIC’s impact on historic places around the country. Here we highlight three adaptive reuse projects that show how, as Clower says, NTCIC is “making these places a viable part of the future.”

The restored KIPP Philadelphia Preparatory Academy can be seen in the background. It's a Classical Revival style building trimmed with brick and terra cotta. In the foreground, children arrive at school. One child walks on a mound covered in turf near a play area.

photo by: Jeffrey Totaro, 2023

About 360 students attend KIPP Philadelphia Preparatory Academy.

KIPP Philadelphia Preparatory Academy, Philadelphia

When a team of architects assessed the former John Greenleaf Whittier School in Philadelphia to determine how it could be restored, they found chalkboards that still had writing on them, as if the students had just left. In reality, the roughly 78,000-square-foot school had been vacant for several years, falling into an ever-worsening state of disrepair.

Now, those chalkboards are in use again, although they’ve been covered with a material that converts them to whiteboards. The building has undergone a complete rehabilitation, led by KSS Architects and developer MIS Capital, to become the new home of KIPP Philadelphia Preparatory Academy, a public charter school operated by KIPP Philadelphia Public Schools for 5th through 8th graders. Work included renovating the classrooms and cafeteria, adding a historically compatible elevator well, and designing outdoor learning and play spaces.

Completed in 1913 in the Classical Revival style, the brick and terra-cotta-trimmed building features tall divided-light windows on each floor. “It had suffered tremendously in terms of ceilings falling down, and the walls were all peeling,” recalls Steve Gendler, founding principal of MIS Capital, who teamed with co-principal David Colman on the project. “There was very substantial degradation going on that we had to reverse.”

The $23.5 million project, completed in 2022, used federal and state historic tax credits and New Markets tax credits. The design team included historic preservation consultant Powers & Co., as well as landscape architect SALT Design Studio and multiple engineers.

One of the most significant restoration moves was to reclaim and redefine the school’s main entrance space, which involved uncovering and refurbishing its original marble stairs.

A couple people walk down the hallway at KIPP Philadelphia. The walls are made of brick. The top half of the brick walls are painted a cream color. The ceiling is a pale blue.

photo by: Jeffrey Totaro, 2023

Glazed brick still lines the hallways.

“A lot of these buildings had a very intentional way of how they greeted and met the neighborhood,” says Mayva Donnon, a partner with KSS. “But over the years the functionality of schools changes—everybody ends up coming in through a side door because of some security procedure. So one of our big initiatives was to reopen the front entry.”

It was important to KIPP Philadelphia that the design reconnect the school with the surrounding neighborhood, where some of the students live. “Our students, like all students, deserve to learn in joyful and inspiring spaces,” says KIPP Philadelphia CEO Natalie Wiltshire. “This is a building they can be proud to come to every day.” —Kim O’Connell

To enable the rehabilitation of the John Greenleaf Whittier School, the National Trust Community Investment Corporation provided a $6 million New Markets tax credit allocation and facilitated an equity investment in the $4.5 million in federal historic tax credits generated by the preservation efforts.

The Nine Orchard hotel is seen in New York City's Lower East Side neighborhood, with lower-scale buildings and an ornate lamp post in the foreground. The hotel's restored copper-roofed dome is illuminated by sunlight.

photo by: Nine Orchard

Nine Orchard is located at the corner of Orchard and Canal streets in Lower Manhattan.

Nine Orchard, New York City

The completion of the S. Jarmulowsky Bank Building in 1912 heralded an important architectural moment for New York City’s Lower East Side. You couldn’t miss the 12-story structure, with its lavish Renaissance Revival detailing and the 47-foot-tall domed spire on its rooftop. Commissioned by banker and philanthropist Sender Jarmulowsky and designed by Rouse & Goldstone, the Beaux-Arts building projected elegance and success. “It was a bit of a beacon in the neighborhood, not just as an immigrant bank, but also as sort of a symbol of local industry,” says architectural historian Kerri Culhane.

Along with a stately banking hall and retail space, the building contained manufacturing lofts on its upper floors. It continued to operate as a garment-making hub and then a piano factory for decades after the bank closed. Without consistent maintenance, the building deteriorated dramatically. By the time developer DLJ Real Estate Capital Partners purchased it in 2011, the facade’s terra-cotta detailing was cracking, and water penetration had damaged the floors.

DLJ hired architect Ron Castellano to design its conversion to a 113-room luxury boutique hotel, now called Nine Orchard after its street address. State and federal historic tax credits formed a key part of the financing plan, and Castellano asked Culhane to consult on the project.

Castellano and Culhane were able to show that the five-story building next door, which DLJ also purchased, was structurally compromised. This paved the way for the smaller building’s demolition, and the team constructed an appropriately scaled addition in its place. As for the S. Jarmulowsky Bank Building, the group dove into a 10-year odyssey of rehabilitation and reconstruction, guided by original drawings as well as historic photos of the exteriors and the banking hall, and other Rouse & Goldstone buildings. “There’s a lot of stuff that was just missing,” Castellano says.

Dozens of local artisans and fabricators worked on the project, including KNS Building Restoration, which repaired the facade’s original limestone and brick and much of its terra cotta. Tennessee pink marble for the banking hall’s floors and Italian marble for its walls came from the same locations as the original marble.

Completed in 2021, the hotel once again draws eyes to the neighborhood’s skyline, thanks to its imposing scale and the finishing touch of the copper-roofed dome. Despite its grandeur, Castellano says the building has a quiet presence: “It’s like this sleeping giant.” —Meghan Drueding

In The Swan Room at Nine Orchard, a cocktail lounge occupies a former banking hall. The area features an ornate ceiling and multiple hanging light fixtures. The bar is seen in the background with seating in the foreground.

photo by: Nine Orchard

The Swan Room, a cocktail lounge, occupies part of the old banking hall.

The National Trust Community Investment Corporation facilitated equity investments in the federal and state historic tax credits generated by the revitalization efforts at Nine Orchard.

4340 Duncan, St. Louis

In 1930, the St. Louis Post-Dispatch opened a rotogravure printing plant at 4340 Duncan Ave. Though the technology wasn’t brand-new—it was developed in Europe during the 19th century—American newspapers began to use it regularly around the end of World War I. Once they realized how significantly it could improve their photo reproduction quality, major papers like the powerful Post-Dispatch invested in their own gravure printing facilities.

Mauran, Russell, & Crowell, the architects behind other important local structures such as Union Market and the Federal Reserve Bank of St. Louis, designed the industrial brick building. In 1976 the Post-Dispatch sold the plant, and by the 1990s it was disused.

A brick building sits in the foreground in front of a darkening sky with clouds. The building has steel framed windows and lighting illuminates the historic facade.

photo by: Sam Fentress

The building is part of the Cortex Innovation District in St. Louis.

Today the rehabilitated building again houses forward-thinking technologies, but of an entirely different kind. 4340 Duncan is part of the 200-acre Cortex Innovation District, founded in 2002 by a group of city institutions as a center for tech startups and biomedical research and development. Washington University, which owns the former printing plant, commissioned architecture firm HOK to design its 2019 conversion into space for biotech labs and offices.

The $44 million development was funded in part through federal and state historic tax credits and New Markets tax credits. Preservation consultant Karen Bode Baxter worked with HOK to ensure that the rehabilitation would honor the original building. General contractor Tarlton repointed the entire brick facade and replaced most of the historic steel-sash windows with energy-efficient ones in similar materials and proportions. HOK kept the interior’s industrial aesthetic, saving most of the original exposed ceilings and concrete floors. It retained building elements that facilitated the printing process, including a system of overhead trolleys and rails. “We kept those in place, cleaned them up, and they’ve become a highlight inside the building,” says HOK’s Jodie Crohn, the lead interior designer on the project.

In an interior walkway inside 4340 Duncan, the walls are made of brick. Steel windows are visible on the right. On the left in the foreground, there are a few leather chairs sitting on top of a blue carpet.

photo by: Sam Fentress

Open circulation spaces foster collaboration.

Two people in lab coats work inside the lab space at 4340 Duncan. They're facing away from each other. One person stands, and another sits with gloves on.

photo by: Sam Fentress

Lab space is designed to be flexible, so tenants can reconfigure it as needed.

HOK also left the majority of the old concrete columns exposed and reused original light fixtures. The team added energy-efficient systems that work with the thermal mass of the thick masonry walls to heat and cool the space. Inserting a new level upped 4340 Duncan’s square footage to 92,301. New terraces on the ground level and on the roof of a midcentury addition provide green space for tenants. “Some of the windows are 20 feet tall on the north side of the building,” Crohn says. “They just flood the labs and offices with natural light. Those things aren’t always there with new construction.” —Meghan Drueding

The National Trust Community Investment Corporation supported the development of 4340 Duncan with an equity investment in the $8.4 million in federal historic tax credits generated by the project. It also provided an $8 million New Markets tax credit allocation.

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Editor's Note: This story was updated on April 30, 2025.

By: Meghan Drueding and Kim O'Connell

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